By Takayoshi Ichiro
Ichiro Takayoshi's e-book argues that global struggle II reworked American literary tradition. From the mid-1930s to the yank access into international battle II in 1941, pre-eminent figures from Ernest Hemingway to Reinhold Neibuhr replied to the flip of the public's curiosity from the commercial melancholy at domestic to the threat of totalitarian structures in another country via generating novels, brief tales, performs, poems, and cultural feedback during which they prophesied the arrival of a moment global battle and explored how the US may possibly arrange for it. the range of competing solutions provided a wealthy legacy of idioms, symbols, and conventional arguments that have been destined to license America's promoting of its values and pursuits around the globe for the remainder of the 20th century. formidable in scope and addressing a massive diversity of writers, thinkers, and artists, this ebook is the 1st to set up the outlines of yankee tradition in this pivotal interval.
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Additional resources for American Writers and the Approach of World War II, 1935–1941 : A Literary History
Meanwhile, the characters representing the future of the nation form a deep fraternity of patriotism with the nation’s oldest – that is, youngest – past. It was all natural that, facing the military conﬂicts proliferating across the globe, Americans during the years leading up to World War II scoured the nation’s past for hints and clues. The situation, seemingly unprecedented and unintelligible, became recognizable and manageable when viewed as an iteration of familiar events in the past. So far as something was to recur in the coming war, Americans could prepare for the future by revamping old habits and maxims.
27 The Communists were systematically removed from ballots during the 1940 elections. Both at federal and state levels, statutes restricting freedom of speech ﬂew onto the books. In sixteen states, it was now a crime to express opposition to war. 28 The Sedition Act was repealed in 1920, but now it was back, as a clause buried deep in the innocuous-sounding Alien Registration Act of 1940 (the ﬁrst peacetime sedition act in the nation’s history). Andrew Long is Trumbo’s victim of the prewar mass hysteria.
He was ﬁred from Whittier College for his comments critical of war eﬀorts (technically a criminal oﬀense under the newly legislated Sedition Act), joining hundreds of other college professors purged for their un-Americanism. He would remain unbent. Furiously unrepentant, in fact. The realities and achievements of America’s massive intervention in a European imperial feud compelled no reconsideration of his position. He was at the forefront of the postwar boom of literature of disenchantment, coauthoring with Laurence Stallings (who lost a leg in the war) What Price the Glory (1924), a rather freakishly vulgar antiwar comedy and his ﬁrst critical and commercial success.